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  • Fiction

    Fiction is content, primarily a narrative, that is made from imagination, in addition to, or rather than, from history or fact. Writers sometimes use fictional creatures such as dragons and fairies. The term most commonly refers to the major narrative forms of literature (see literary fiction), including the novel, novella, short story, and narrative poem or song, though fiction may also describe the works of other narrative presentational forms, such as comics, live performances (for example, theatre, opera, and ballet), electronic recordings (for example, many works of film, television, radio, and Internet), and games (for example, many video games and role-playing games). Fiction constitutes an act of creative invention, so that faithfulness to reality is not typically expected; in other words, fiction is not assumed to present only characters who are actual people or descriptions that are factually true. The context of fiction is generally open to interpretation, due to fiction's freedom from any explicit embedding in the real world; however, some fictional works are claimed to be, or presented as, non-fictional, complicating the traditional distinction between fiction and non-fiction. Fiction is a classification or category, rather than a mode or genre, unless the word is used in a narrower sense as a synonym for a particular format or conception of literary fiction.

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Dramatic structure (also called Freytag's pyramid) is the structure of a dramatic work such as a play or film. Many scholars have analyzed dramatic structure, beginning with Aristotle in his Poetics (c. 335 BCE). This article focuses primarily on Gustav Freytag's analysis of ancient Greek and Shakespearean drama.

According to Freytag, a drama is divided into five parts, or acts, which some refer to as a dramatic arc: exposition, rising action, climax, falling action, and dénouement.

 

  • Allegory

    As a literary device, an allegory in its most general sense is an extended metaphor. Allegory has been used widely throughout the histories of all forms of art, largely because it readily illustrates complex ideas and concepts in ways that are comprehensible to its viewers, readers, or listeners.

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    Allegory of Music by Filippino Lippi (between 1475 and 1500): The "Allegory of Music" is a popular theme in painting. Lippi uses symbols popular during the High Renaissance, many of which refer to Greek mythology.

    Allegories are typically used as literary devices or rhetorical devices that convey hidden meanings through symbolic figures, actions, imagery, and/or events, which together create the moral, spiritual, or political meaning the author wishes to convey.

     

  • Flat character/Round character

    Round vs. flat

    Flat characters are two-dimensional, in that they are relatively uncomplicated. By contrast, round characters are complex figures with many different characteristics and undergo development, sometimes sufficiently to surprise the reader.

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  • Antihero

    An antihero or antiheroine is a main character in a story who lacks conventional heroic qualities such as idealism, courage, and morality.

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  • protagonist

    The protagonist, meaning "player of the first part, chief actor") or main character is a narrative's central or primary personal figure, who comes into conflict with an opposing major character or force (called the antagonist). The audience is intended to mostly identify with the protagonist. In the theatre of Ancient Greece, three actors played every main dramatic role in a tragedy; the protagonist played the leading role while the other roles were played by the deuteragonist and the tritagonist.

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  • plot

    The plot, or storyline, is the rendering and ordering of the events and actions of a story. Starting with the initiating event, then the rising action, conflict, climax, falling action, and ending with the resolution.  

  • setting

    Setting is the locale and time of a story. The setting is often a real place, but may be a fictitious city or country within our own world; a different planet; or an alternate universe, which may or may not have similarities with our own universe. Sometimes setting is referred to as milieu, to include a context (such as society) beyond the immediate surroundings of the story. It is basically where and when the story takes place.

  • Didactic

    A novel, play or poem that is didactic aims to teach us something. What? Well, anything, really. Didactic works often have morals to impart or are written to teach us something about religion, philosophy, history, or politics.

    Examples of didactic literature include Aesop's Fables. Novels written for women in the 18th and 19th century were also often didactic, kind of like fictionalized conduct manuals. Jane Austen's Northanger Abbey, for example, is often thought of as a didactic novel since it teaches readers how to act like a good young lady—and read like one, too.

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  • Les Misérables

    Les Misérables is a French historical novel by Victor Hugo, first published in 1862, that is considered one of the greatest novels of the 19th century. In the English-speaking world, the novel is usually referred to by its original French title, however several alternatives have been used, including The Miserable, The Wretched, The Miserable Ones, The Poor Ones, The Wretched Poor, The Victims and The Dispossessed.

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其他相關知識補充

 nov-(new)

Novel

Renovate

Innovate

Novelty

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anti-against

Antihero

Antibiotic

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